Winchester College Heritage https://www.winchestercollegeheritage.org/ Fri, 19 Dec 2025 14:16:23 +0000 en-US hourly 1 https://wordpress.org/?v=6.9.1 Jane Austen and Literature: A blog by Anna Matthews https://www.winchestercollegeheritage.org/news/uncategorized/jane-austen-and-literature-a-blog-by-anna-matthews/ https://www.winchestercollegeheritage.org/news/uncategorized/jane-austen-and-literature-a-blog-by-anna-matthews/#respond Fri, 19 Dec 2025 12:31:33 +0000 https://www.winchestercollegeheritage.org/?p=2817 The post Jane Austen and Literature: A blog by Anna Matthews appeared first on Winchester College Heritage.

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To mark the 250th anniversary of Jane Austen’s birth this week, Winchester College final year pupil Anna Matthews explores Jane Austen’s literary upbringing and inspirations, including social constraints and gendered expectations in the Regency era.

 

 

Jane Austen was a prolific reader with diverse interests which encompassed both contemporary and classical literature. She had many favourite authors; Samuel Johnson, Sir Walter Scott, Henry Fielding, Maria Edgeworth, John Milton, Lord Byron, Laurence Sterne and Ann Radcliffe, from all of whom she drew inspiration which she incorporated into her own work. It was Ann Radcliffe’s gothic novel The Mysteries of Udolpho that gripped young Catherine Morland so tensely in Northanger Abbey.

Jane Austen’s father, George Austen, being a classicist himself, encouraged her to read and provided her with access to his vast library, as well as the writing materials she required. Mr. Austen saw his daughter’s potential and talked to others with fatherly pride of her ‘effusions of fancy’! Jane Austen was very close to her father and her relationship with him arguably influenced her depiction of the relationship between Elizabeth Bennet and her father – kindly and humorous.

SOCIAL CONSTRAINTS AS LITERARY INSPIRATION

Jane Austen’s literary essence is her astute social commentary and satirical take on convention. In Austen’s novels, she challenges the constraints and inequalities placed on women in the Regency period, employing witty dialogue, sarcasm and irony. Austen portrayed her heroines as defiant of the gender expectations that society thrust upon them, whilst ensuring that they retained their powerful femininity.

Women at that time had very few legal, social or economic rights – few upper and middle-class women could own property, formal education was sparse, and a stigma was apportioned to a middle-class woman who worked for an income, such as Jane Fairfax in Emma. Marriage was therefore the only option for women to elevate their status and gain wealth and social acceptance, exemplified in the relationship between Charlotte Lucas and the sycophantic Mr. Collins in Pride and Prejudice.

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Jane Austen’s literary genius subverts the social tradition that marriages should be based on economics through the characterisation of her heroines. Austen’s heroines defy social expectations by seeking intellectual parity in partnerships – seen through Elizabeth Bennet’s refusal of Mr. Collin’s proposal as ‘[her] feelings in every respect absolutely forbid it.’

Jane Austen advocates for love and mutual respect in all of her novels, illustrated in Jane Bennet’s exclamation in Pride and Prejudice, ‘Oh Lizzy! Do anything rather than marry without affection!’ Through various means, Austen’s heroines achieve love and mutual respect in their relationships: Elizabeth Bennet through assertiveness in Pride and Prejudice; Fanny Price & Edmund Bertram through gentle companionship in Mansfield Park: Elinor & Marianne Dashwood through patience and maturity in Sense and Sensibility; Henry Tilney through a loving proposal to Catherine Morland in Northanger Abbey; Emma and Mr. Knightley through a mutual adoration in Emma; and through an enduring love match of Anne Elliot and Captain Wentworth in Persuasion.

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Jane Austen and Religion: A blog by Anna Matthews https://www.winchestercollegeheritage.org/news/uncategorized/jane-austen-and-religion-a-blog-by-anna-matthews/ https://www.winchestercollegeheritage.org/news/uncategorized/jane-austen-and-religion-a-blog-by-anna-matthews/#respond Fri, 19 Dec 2025 11:21:38 +0000 https://www.winchestercollegeheritage.org/?p=2797 The post Jane Austen and Religion: A blog by Anna Matthews appeared first on Winchester College Heritage.

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To mark the 250th anniversary of Jane Austen’s birth this week, Winchester College final year pupil Anna Matthews explores Jane Austen’s Christian faith and how it influenced her writing.

 

 

During Jane Austen’s formative years, her father was the rector of the Anglican parishes of Steventon and Dean, Hampshire (shown above is Steventon Rectory, where Jane grew up). Austen’s Christian faith was a deeply integral part of who she was. She was a Christian who lived a Christian life. Religion not only strongly influenced the manner in which Jane Austen lived but also how she wrote.

Religion was at the core of Jane Austen’s family life. She likely prayed each morning and evening, also joining her family in daily prayers which she penned. As noted by Fanny Price in Mansfield Park, ‘A whole family assembling regularly for the purpose of prayer is fine.’

Jane Austen’s brother Henry said she ‘was thoroughly religious and devout; fearful of giving any offence to God, and incapable of feeling it towards any fellow creature. On serious subjects she was well instructed, both by reading and meditation, and her opinions accorded strictly with those of our Established Church.’

One of Austen’s most treasured possessions was a topaz amber cross received from her brother Charles in 1801. The fact Charles chose a cross rather than a locket signified Jane Austen’s deep Christian faith. The significance of this gift to Jane Austen is reflected in Mansfield Park, when William Price bestows a similar cross on Fanny.

Mansfield Park is Jane Austen’s most religious novel, positively presenting the theme of religion and depicting the model clergyman Edmund Bertram, who is quite different to the comical clergyman Mr. Collins in Pride and Prejudice.

Austen referred to the failings of the nation’s manners and morals critically in her novels, for example through the character Mary Crawford in Mansfield Park, who speaks of adultery as ‘acceptable as long as it was discreet’ and furthermore speaks disparagingly of religion, opposing Edmund’s view of adultery as sin. Mary belittles Edmund, mockingly quipping that she will next hear of him as ‘a missionary or a Methodist’. The sin of gambling is used to convey the moral failings of Pride and Prejudice’s villain George Wickham, whilst John Thorpe’s boasting of excessive drinking in Northanger Abbey demonstrates his unsavoury character.

Jane Austen contrasts such behaviours with more wholesome characters such as Fanny Price and Mr. Knightley, presenting moral growth as compatible with Christian ethics. Jane Austen also demonstrates her expectation of moral decorum in Persuasion, such as through criticism by Anne Elliot of her cousin, Mr. William Elliot, for travelling on a Sunday and missing church.

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Jane Austen’s Christian faith and wit charmingly blend in her poem regarding her fellow churchgoers, penned in 1807.

Happy the lab’rer in his Sunday cloathes!
In light-drab coat, smart waistcoat, well-darn’d hose,
And hat upon his head, to church he goes;
As oft, with conscious pride, he downward throws
A glance upon the ample cabbage rose
Which, stuck in button-hole, regales his nose,
He envies not the gayest London beaux.
In church he takes his seat among the rows,
Pays to the place the reverence he owes,
Likes best the prayers whose meaning least he knows,
Lists to the sermon in a softening doze,
And rouses joyous at the welcome close.

 

Jane Austen’s novels are globally recognised and are matched by the honest beauty within her three Evening Prayers, which demonstrate her gentle love and faith. As noted by Rachel Dodge, Austen’s prayers contain meanings ‘that reach far beyond elegant words or graceful phrases. They are personal and reflective, passionate and thorough.’ Her prayers illustrate devotion to the faith that defined her life and influenced the tropes of human goodness and morality which permeate her beloved novels.

…May we now, and on each return
of night, consider how the past
day has been spent by us, what have
been our prevailing thoughts,
words, and actions during it.

AMEN

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Jane Austen and Music: A blog by Anna Matthews https://www.winchestercollegeheritage.org/news/uncategorized/jane-austen-and-music-a-blog-by-anna-matthews/ https://www.winchestercollegeheritage.org/news/uncategorized/jane-austen-and-music-a-blog-by-anna-matthews/#respond Fri, 19 Dec 2025 10:33:32 +0000 https://www.winchestercollegeheritage.org/?p=2783 The post Jane Austen and Music: A blog by Anna Matthews appeared first on Winchester College Heritage.

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To mark the 250th anniversary of Jane Austen’s birth this week, Winchester College final year pupil Anna Matthews explores Jane Austen’s musical world.

 

 

Music played a significant role in Jane Austen’s life. Austen wrote; ‘without music, life would be a blank to me’. Young women of her social class were expected to be musically accomplished. Austen was a skilled pianist, taking lessons from an early age and practising daily well into adult life. By 1796, the Austen family had acquired a piano and Jane was taking lessons from George Chard, the Winchester Cathedral organist and composer. Jane’s piano and most of her copy books were sold when the family moved to Bath in 1801. During her time in Bath (1801-1806), she attended concerts in the Octagon Room of the Assembly Rooms. Once a piano came back into her possession in Chawton, where she lived from 1809-1817, she resumed practising every day before breakfast. She played from manuscripts she copied herself – copies so neat, her niece said they were ‘as easy to read as print’. The 18 albums which comprise the Austen Family Music Books have been preserved to this day and contain around 600 pieces that belonged to Jane and her relations.

Music was central to social and domestic life in the Regency era. Jane Austen’s novels include characters who love music, but little mention is made of composers. The only composer mentioned is the publisher and pianist John Baptiste Cramer, who published arrangements of Robin Adair, enigmatically sung by Jane Fairfax in Emma, as she accompanies herself on her new piano, a covert gift from her secret lover Frank Churchill.

AUSTEN’S MUSICAL HEROINES

Jane Austen’s love of music was frequently embodied in the strong female characters of her novels, portrayed as domestic singers, pianists, or both – Georgiana Darcy, Mary Bennet & Elizabeth Bennet (Pride and Prejudice); Anne Elliot (Persuasion); Jane Fairfax (Emma); and Marianne Dashwood (Sense and Sensibility). In contrast, Catherine Morland, the flighty young heroine of Northanger Abbey, could not ‘have been more delighted when the music master was dismissed’ – tinkling on the spinet was amusing for her but she did not take to a serious study of music. Perhaps, when Austen was constructing Catherine’s character, she had in her mind the title she ascribed in her own hand to a music book in the Austen’s collection: ‘Juvenile Songs and Lessons – for young beginners who don’t know enough to practise’.

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The musical scenes in Austen’s novels are rarely incidental – they are carefully constructed to advance storylines of courtship and social hierarchy. Music is a used as a medium via which characters perform socially, both in the literal sense of recitals at gatherings and in the figurative sense of signalling admirable qualities to eligible bachelors; as Mr. Darcy of Pride and Prejudice expounds, ‘A woman must have a thorough knowledge of music, singing, drawing, dancing, and the modern languages to deserve the word accomplished’. Perceptive readers will identify how Austen uses music as a tool to accelerate the plots of her novels, for example the scandalously romantic subtext associated with the pianoforte anonymously gifted to Jane Fairfax by her secret fiancé Frank Churchill in Emma.

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New ‘object of the week’ series: Parthenon frieze casts https://www.winchestercollegeheritage.org/news/uncategorized/new-object-of-the-week-series-parthenon-frieze-casts/ https://www.winchestercollegeheritage.org/news/uncategorized/new-object-of-the-week-series-parthenon-frieze-casts/#respond Mon, 24 Nov 2025 17:41:25 +0000 https://www.winchestercollegeheritage.org/?p=2660 The post New ‘object of the week’ series: Parthenon frieze casts appeared first on Winchester College Heritage.

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Welcome to our new ‘object of the week’ series! We’ll be running this series on our Winchester College Heritage social pages.
To kick things off, we’re starting with one of the most magnificent highlights from our collections: our set of fifteen Parthenon frieze casts.

The Parthenon Friezes

These plaster casts, made in the late 19th century, are reliefs from the friezes of the Parthenon in Athens, c. 443-437 BC. The Parthenon is a temple of Athena constructed on the Acropolis in Athens between 447 and 442 BC. The frieze is thought to depict the Panathenaic procession, which was an annual religious festival in Athens during which the citizens would parade through the city and offer a new peplos (robe) to their patron goddess.

Most of the Winchester casts are from the west and north walls of the temple, and mainly show the parade of horsemen and water carriers. The frieze is remarkable for the naturalistic details of the bulging muscles and veins in the running horses, the anatomical realism in the muscles and sinews of their riders, and the flowing drapery of the clothing of humans and gods.

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Provenance

Winchester’s fifteen Parthenon frieze casts are thought to have been made by the firm of Domenico Brucciani (est. 1837), shortly after his death in 1880. They were made from moulds owned by the British Museum, which themselves were taken from casts made from Lord Elgin in 1802.

Although Winchester’s casts are therefore twice removed from the original marbles, they faithfully reproduce the fine detail of the ancient sculptures and even preserve some details which are no longer visible on the originals.

The casts were purchased by Winchester College in the late-19th century, as part of a visionary project to civilize the College’s spartan Victorian classrooms and corridors. A photograph from 1915 shows them on the walls of Flint Court.

After a period of time in storage, the casts were conserved and are now on display on the walls in Treasury, where pupils, staff and visitors alike can enjoy them.

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Morning Hills https://www.winchestercollegeheritage.org/news/uncategorized/morning-hills/ https://www.winchestercollegeheritage.org/news/uncategorized/morning-hills/#respond Fri, 03 Oct 2025 18:06:10 +0000 https://www.winchestercollegeheritage.org/?p=2620 The post Morning Hills appeared first on Winchester College Heritage.

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Last week, the College community gathered together and made its way up St Catherine’s Hill in Winchester for an annual service.
This tradition, called ‘Morning Hills’, has existed in some form since 1894, but the College’s connection to St Catherine’s Hill dates back to 1538.

ORIGINS OF MORNING HILLS

In 1538, Thomas Wriothesley, who was connected to the College, took a lease of the land on St Catherine’s Hill. Although Winchester had no direct ownership of the land, the hills, surrounding valleys and bathing places became a playground for the College for more than three centuries.

Until 1859, Morning Hills, Afternoon (or Middle) Hills and, later, Evening Hills were compulsory expeditions for the whole school on Remedies (Tuesdays and Thursdays). In the 17th Century, quoits, hand-ball, bat-ball and a primitive version of Winchester football were played there and a maze was cut and used for races. In the mid 19th Century the school played cricket there in the summer and football in the winter.

In 1859 Morning Hills ceased to be compulsory and was abolished in 1860.  Rules about Afternoon Hills were relaxed in 1867 and the custom of going up Hills was abandoned altogether in 1868.

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A TRADITION REVIVED

When the College’s access to Hills became threatened by tenants occupying the land, WA Fearon (Headmaster, 1884-1901) instituted the custom in memory of the old practice and Morning Hills took place on the first Monday of each Cloister Time and Short Half.

Although Fearon’s revival of Morning Hills in 1894 survives in limited form to this day, customary usage became a right, when in 1930 the Old Wykehamist Lodge purchased Hills and gave the land to the College.

Morning Hills

MORNING HILLS TODAY

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Heritage Open Days 2025 https://www.winchestercollegeheritage.org/news/uncategorized/heritage-open-days-2025/ https://www.winchestercollegeheritage.org/news/uncategorized/heritage-open-days-2025/#respond Thu, 25 Sep 2025 16:35:50 +0000 https://www.winchestercollegeheritage.org/?p=2599 The post Heritage Open Days 2025 appeared first on Winchester College Heritage.

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We had a great time welcoming visitors to the College on 13th September for our annual Heritage Open Days programme. Heritage Open Days is England’s largest festival of history and culture, where museums and historic sites open to visitors for free, giving the public the chance to see hidden places and try new experiences.

CRAFT ACTIVITIES AND SCIENCE TENT

Following its success last year, we put together a science activity for children to enjoy. Members of our science department as well as some of our pupils were on hand to help visitors with science experiments and deliver demonstrations.

We also hosted family-friendly craft sessions inspired by our Treasury collections, including zebra bookmarks, monkey masks and origami boxes!

Science tent Heritage Open Days

TOURS

In addition to our family-friendly crafts and acivities, we also enjoyed welcoming guests on free tours of our Archives, Fellows’ Library and War Cloister.

If you missed out, don’t worry – we still have lots of other tours coming up soon!

Archives tour Winchester College

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Keats: To Autumn https://www.winchestercollegeheritage.org/news/uncategorized/keats-to-autumn/ https://www.winchestercollegeheritage.org/news/uncategorized/keats-to-autumn/#respond Fri, 19 Sep 2025 20:03:16 +0000 https://www.winchestercollegeheritage.org/?p=2574 The post Keats: To Autumn appeared first on Winchester College Heritage.

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Did you know that one of the most famous and beloved poems in British literary history was inspired by a walk through Winchester and the grounds of Winchester College? On 19 September 1819, John Keats wrote his ode To Autumn, inspired by his daily walks across the water meadows.

Keats and Winchester

John Keats arrived in Winchester in August 1819 and stayed in the city for just under two months. During this time, his health was deteriorating, but his writing was prolific and he walked for an hour a day before dinner.

He described his daily walk in a letter: “I go out at the back gate […] pass the beautiful front of the Cathedral […]. Then I pass through one of the old city gates and then you are in one College-Street through which I pass and at the end thereof crossing some meadows and at last a country alley of gardens I arrive, that is, my worship arrives at the foundation of St Cross, […] then I pass across St Cross meadows till you come to the most beautifully clear river.”

On 22 September 1819, Keats also wrote of the beauty of the early Autumn season in Winchester and how it inspired To Autumn: “How beautiful the season is now – How fine the air. […] this struck me so much in my Sunday’s walk that I composed upon it.”

John Keats

TO AUTUMN

John Keats, 19 September 1819

Season of mists and mellow fruitfulness,
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss’d cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For Summer has o’er-brimm’d their clammy cells.

Who hath not seen thee oft amid thy store?
Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
Thy hair soft-lifted by the winnowing wind;
Or on a half-reap’d furrow sound asleep,
Drows’d with the fume of poppies, while thy hook
Spares the next swath and all its twined flowers:
And sometimes like a gleaner thou dost keep
Steady thy laden head across a brook;
Or by a cyder-press, with patient look,
Thou watchest the last oozings hours by hours.

Where are the songs of Spring? Ay, where are they?
Think not of them, thou hast thy music too,—
While barred clouds bloom the soft-dying day,
And touch the stubble-plains with rosy hue;
Then in a wailful choir the small gnats mourn
Among the river sallows, borne aloft
Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
Hedge-crickets sing; and now with treble soft
The red-breast whistles from a garden-croft;
And gathering swallows twitter in the skies.

FIRST EDITION IN THE FELLOWS’ LIBRARY

The Fellows’ Library at Winchester College includes a first edition of To Autumn, published in Lamia, Isabella, the Eve of St.Agnes and Other Poems (1820). This was Keats’ third and final volume of poetry, containing some of his greatest works including his six famous odes.

Winchester College’s collections have many other items relating to Winchester at the time of Keats’ visit. These include early guidebooks to the city and many watercolour views by two local artists: George Sidney Shepherd (1784-1862) and Richard Baigent (1799-1881). The watercolour featured at the top of this blog is Baigent’s watercolour of St Cross from the water meadows, dated 1840.

More broadly, the holdings of the Fellows’ Library are of considerable importance for understanding the development of literary Romanticism.

Keats in Fellows' Library

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George Macpherson and the Battle of Flers-Courcellette https://www.winchestercollegeheritage.org/news/uncategorized/george-macpherson-and-the-battle-of-flers-courcellette/ https://www.winchestercollegeheritage.org/news/uncategorized/george-macpherson-and-the-battle-of-flers-courcellette/#respond Mon, 15 Sep 2025 13:31:17 +0000 https://www.winchestercollegeheritage.org/?p=2557 The post George Macpherson and the Battle of Flers-Courcellette appeared first on Winchester College Heritage.

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The Battle of the Somme took place between 1 July and 18 November 1916. More than three million men fought in the battle, of whom more than one million were either wounded or killed, including 16 Wykehamists killed on the first day of the offensive, 1 July 1916, followed by another 11 Wykehamists on 15 September, the first day of the third and final offensive launched by the British Army.

One of the Wykehamists killed on 15 September was 20-year-old George Macpherson, who died during the Battle of Flers-Courcellette, when tanks were used for the very first time in warfare. Macpherson was the skipper of Tank C20. You can read more about his story below.

George Macpherson

George Macpherson came to Winchester in 1909 and was in Turner’s House. He played cricket and soccer for his house and was Senior Commoner Prefect from 1914 to 1915 and Head of his House. He left in 1915 and quickly obtained a commission in the East Kent Regiment, transferring to the Machine Gun Corps in April 1916 and eventually joining the world’s first tank unit.

During the Battle of Flers-Courcellette, George’s tank was supporting an attack on a German stronghold called The Quadrilateral. None of the tank commanders had been able to reconnoitre the route so were dependent on special guides to lead them in the dark through a multitude of obstacles. George’s tank developed engine trouble which was fixed but shortly broke down again. Only one tank succeeded in getting through the German wire and was unable to prevail. George died during this first tank action, aged 20.

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One of the other Wykehamists killed that day was George’s good friend from Winchester College, Geoffrey Wyatt. They had met up only 5 days earlier, chatting in George’s tank.

George, Geoffrey and the other 109 Wykehamists who died on 15 September 1916 are remembered in Winchester College’s War Cloister, along with all Wykehamists who have lost their lives in conflicts since the Crimean War.

Our online resource, Winchester College at War, enables you to search the Winchester College Rolls of Honour and War Service Rolls. The site provides a brief biography for every member of the School community who perished in conflicts from the Crimean War onwards.

You can also visit our War Cloister by joining a War Cloister tour.

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New for 2025: Collections and Archives tours https://www.winchestercollegeheritage.org/news/uncategorized/new-collections-and-archives-tours/ https://www.winchestercollegeheritage.org/news/uncategorized/new-collections-and-archives-tours/#respond Sat, 16 Aug 2025 20:02:55 +0000 https://winchestercollegeheritage.meandhimdesign.co.uk/?p=2507 The post New for 2025: Collections and Archives tours appeared first on Winchester College Heritage.

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This year we have launched two brand new tours to our programme, enabling behind-the-scenes access to our collections and archives.

Our new Treasures tours and Archives tours are the latest additions to our specialist tours programme, alongside our War Cloister tours and Garden tours. Each of these tours runs once per month, whilst our College tours run twice daily at 2.15pm and 3.30pm.

Find out more below and book your tickets now!

Treasures tours

Explore the treasures of Winchester College’s collections, including works of art and rare books that are not normally on public display.

Visitors will explore the College’s original museum and art gallery and part of the Fellows’ Library where there is a changing display of rare books and manuscripts, prints, and drawings.

Treasures tour Winchester College

Archives tours

This tour allows a rare opportunity to view two medieval rooms which house the school’s archives, as well as documents and artefacts relating to the school’s history which will be on display. Tours are delivered by our College Archivist, Suzanne.

Archives tours Winchester

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Welcome to Winchester College Heritage! https://www.winchestercollegeheritage.org/news/uncategorized/welcome-to-winchester-college-heritage/ Thu, 14 Aug 2025 16:21:41 +0000 https://winchestercollegeheritage.meandhimdesign.co.uk/?p=2454 The post Welcome to Winchester College Heritage! appeared first on Winchester College Heritage.

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Here we celebrate Winchester College’s 650-year heritage, through our wide-ranging archives, libraries, collections and architecture.

Founded in 1382 by William of Wykeham, Winchester College is has the longest continuous history of any English school and it has occupied the same buildings since 1394. Our collections, libraries and archives date back over a thousand years and are a valuable resource for researchers.

We welcome to the public to Winchester College seven days a week, on guided tours, to our free museum of art and archaeology, Treasury, as well as to public events throughout the year.

We also welcome researchers by appointment to study our archives, libraries and collections, as well as special interest groups and schools for private tours.

We hope to welcome you to the College soon!

Discover more

Guided tours

Treasury

Collections

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